In the eyes of many people in the industry, Xingyue L is completely unscrupulous this time. At such a competitive price, it has come up with product strength beyond the same level, leaving no room for the joint venture compact SUV. As many netizens lamented, the listing of Xingyue L indicates the arrival of the joint venture SUV in winter.

Then, as the title of the article asks, is the hype excessive? Or does it really have such extraordinary ability? On June 12th, Chezhi New Media had the honor to test drive Xingyue L first. Next, I will briefly share some of its highlights with you.

First of all, let’s talk about space. Although Xingyue L locates a compact SUV, it is not a compact SUV, but an A+ class SUV. For me, who is 175cm/ tall and weighs 77kg, sitting in the back row can easily tilt my legs. Although it is not as spacious as UR-V, it is indeed bigger than A-class SUVs such as CR-V and RAV4.

In addition to the large space, the seat of Xingyue L is also very soft and comfortable. What is even more unexpected is that the seat is made of leather and suede, and even the roof and interior are made of suede, which feels a bit like Audi’s flagship SUV. I have to admit that this kind of green feather double suede material brings a very good feel, and the whole interior has a sense of grade, and even has the illusion of luxury.

Next, let’s talk about the configuration. I tested the four-wheel drive distinguished model that day, which was 10,000 yuan more expensive than the top one. But I have to say that the configuration of this car still surprises me, because all the configurations that can be seen in the market are basically available, and it is not as stingy as the joint venture model.

Let’s just say that the interior is very eye-catching. With a one-meter screen, 10-speaker Bose audio, 5G-AVP 1km unmanned parking technology, L4-class automatic driving in specific scenes, and rich active and passive safety equipment, it can be seen that Geely really put its best technology and strength into this Star Crossing L.

Finally, let’s talk about the power part. This model we test-drive is the second highest model, equipped with a 2.0T+8AT powertrain and the sixth generation four-wheel drive system of Borgwarner, which is basically consistent with the configuration. Judging from the book data, its performance is still quite strong, at least in the same level, not afraid of the challenge of joint venture.

In fact, judging from the author’s driving experience, it did not disappoint. When you start to accelerate on the paved road, the power is obviously improved. There is also a continuous power output in the late acceleration period, and there is no obvious sense of frustration. Anyway, it feels very advanced. When it comes to unpaved roads, this four-wheel drive system will intervene in time to realize the torque distribution ratio of front and rear axles of 50:50, making the whole driving process more handy.

[Conclusion] Based on the above test drive experience, Xingyue L has not been over-mythologized. In fact, it does have strength. In view of this, it is not difficult to understand why Xingyue L is so popular at present. What are your own views and opinions on this? Welcome to leave a message for interaction.

Special feature of 1905 film network Animated movies live up to expectations!Word-of-mouth counterattack, Douban score rose from 8 points to 8.1 points, temporarily ranking the highest word-of-mouth movie in summer file.

Since the release, the box office has accumulated nearly 300 million. Judging from the platform’s forecast box office, the film has the opportunity to break the historical box office record of light-chasing animation.

Three Wan Li in Chang ‘an, as the first work in the series of "New Culture", takes the audience back to the prosperous Tang Dynasty with one Tang poem after another and the friendship between Gao Shi and Li Bai spanning decades as the axis, and feels the magnificent group of talented people and the unique talent and ambition of these stars in the bright era.

If the story brings up the characters, then the brush will make the characters more vivid, the computer technology will make the characters more vivid, and the voice actor will use the sound to make these characters completely vivid and three-dimensional.

In the interview with the 1905 film network, the young and middle-aged Gao Shi’s voice actor and the young and middle-aged Li Bai’s voice actor "embraced each other", and even more bluntly said that they could complete the voice recognition recognized by the audience today, largely due to the scriptwriter’s setting of the story and the design of emotion itself.

"This time I tried to pull Li Bai out of the aura of Shi Xian and treat him as an ordinary person for everyone to understand and know." Ling Zhenhe said.

01.

Dubbing pursues adaptation, but in the production of animated films, for the director’s creation, it is necessary to find a dubbing actor to "base" and audition in advance.

Ling Zhenhe was not Li Bai at the beginning of the audition, but Cheng Jianjun. After the recording, he asked the director what other roles could be auditioned. Because it was a story of the Tang Dynasty, there must be many roles. He thought that Li Bai or many voice actors were interested. As a result, no one had tried. "Then try it."

It’s just that in the production of animated films, the roles of voice actors may not necessarily be theirs after the audition.That process has a vague sense of confusion for the voice actor. At that time, there was no picture, and the director could only tell the actor the imaginary picture through words or dictation.

Both Yang Tianxiang and Ling Zhenhe instinctively gave emotional direction in the early stage of audition. "For example, the scene where young Gao Shi and Li Bai met in the grass only wrote a big background in the grass reeds, but how to ride and whip, how to misunderstand, is actually not set. Our voice actors can only discuss every line and make a preliminary design of the distance and basic emotions of the characters at that time. "

From the beginning of the audition, the two actors grew up with the role a little bit, which also provided a lot of creativity for the creation of the role. "In this way, everyone became more and more cordial and slowly grew up with the role." Yang Tianxiang regrets.

In the character design process of light-chasing animation, authors such as voice actors and art teachers will be invited to participate and inspire each other.

The art teacher will add gestures and accessories appropriately according to the language feeling of the actors. "When these details come out, we will make corrections according to this, and after repeated revisions, it will probably undergo substantial revisions in the third to fourth editions, and finally this image." Yang Tianxiang, who has cooperated deeply with the light-chasing animation from the beginning, is now the dubbing director of the light-chasing animation, once again witnessing the growth of his role.

02.

Just different from the roles completed by the two voice actors, Li Bai and Gao Shi are both real figures in history and the most familiar strangers to the audience. When Yang Tianxiang and Ling Zhenhe chose to play these two roles by voice, it was a breakthrough for themselves.

Especially for Ling Zhenhe, "recording Li Bai is a breakthrough in itself."It is true that compared with Gao Shi, Li Bai’s nationality is the absolute top flow. What’s more, no matter when he was in school, the public fantasized about him when he was reading poems, or in many film and television works, many actors interpreted him to a certain extent.

How to make Li Bai unique without violating everyone’s imagination has become the key to Ling Zhenhe’s dubbing.

After watching several episodes of Li Bai, Ling Zhenhe said, "I think I should put him on the attribute of’ human’ and treat him as an ordinary person for everyone to understand and know." It is true that in the public impression, Li Bai exists more as a "poetic immortal", but before that, he was also an ordinary person.

To this end, Ling Zhenhe and Yang Tianxiang designed many movements for Li Bai.In the film, Li Bai went to work, and as a result, the other party drove him away because he was the son of a businessman. "This story is actually not new in life, even if you shut the door, you will become angry from embarrassment, but this is Li Bai."

In the film, Li Bai turned and smashed the door, scolded the other party, laughed and left. "This is actually his very human place." The two studied Li Bai’s psychological fulcrum for a long time. "He has his own fragile, embarrassing and unresolved side."

In Ling Zhenhe’s view, "Poet Li Bai is a real person who has existed in history, not a 100% beautiful image that we simply imagined in our minds. We should allow him to have a different or even unbearable side."

As a dubbing director, Yang Tianxiang has been looking for a suitable proper limit for this role. "Let everyone understand his pain without hating this person, and don’t think he is a complete jerk."

The director of "Three Wan Li in Chang ‘an" revealed that Ling Zhenhe cried while dubbing the picture of "Coming into Wine".

In fact, when dubbing this story, he personally understood Li Bai’s feelings. "Nothing in this world is eternal, and no glory is immortal. As a great poet like Li Bai, he also became weak, and in" Going into Wine ",he admitted his weakness, and then he laughed at himself,’ All saints and sages in ancient times are lonely, and only the great drinkers are famous for all time.’ In fact, Li Bai spent the first half of his life pursuing being a sage and making contributions, but he couldn’t. "

03.

Many moviegoers know Yang Tianxiang because of Xu Xuan’s "juvenile voice" in White Snake: The Origin, and he also participated in the follow-up works of light-chasing animation to a greater or lesser extent, but the timbre required for the role is mostly "juvenile".

However, in "Three Wan Li in Chang ‘an", his voice "Gao Shi" spans from teenager to middle age, which is very challenging for Yang Tianxiang. "When I was writing in the middle period, I was still in a state of personal confusion." He even had the idea that if he couldn’t, he would find another actor to voice the middle-aged Gao Shi.

Before, the role of this age group was rarely touched by Yang Tianxiang. "It’s not that I don’t want to. I’m worried that I can’t reach that expressive force and the audience will be dissatisfied."

In the end, he found a fulcrum in the voice actor who is old and comfortable. "Although the two time and space are not separated, I didn’t think we had that close connection at first, and I didn’t think I could rely on the old comrades until I became deeply attached to this film."

As a voice-over director, Yang Tianxiang was almost always present when every actor voiced. He especially likes chatting with Wu Junquan. "I can learn endless knowledge and language skills when chatting with Mr. Wu. At first, I only looked up to him. When I got closer and closer, I learned the feeling of his pronunciation and then tried to use it in the role. "

In Yang Tianxiang’s view, although he didn’t use everything he learned this time in the film, "but thanks to Mr. Wu’s participation in the recording, otherwise I don’t know how to interpret middle-aged Gao Shi."

In any case, each actor perfectly interprets the historical sense of the characters in Chang ‘an Three Wan Li, which brings these characters closer to the audience and adds another layer of mystery to them.

This grand event that spans the Millennium has poems and stories. Fortunately, these good voices have injected another force into poetry.

As an important position of Chinese film industry, Hong Kong film industry has produced many classic film and television works, including martial arts, comedy, police and bandits, literature and art, which has made indelible contributions to the development of film and television industry in China. On the contrary, it is the number of national first-class actors in Hong Kong. In the newly published list of national first-class actors, only five Hong Kong actors are on the list, but each of them can be described as "famous". Next, let’s take a look at the five national first-class actors in the Hong Kong film industry.

First of all, let’s talk about what a national first-class actor is.National first-class actor is the professional title of China literary and art circles, and it is the highest title given by the state to actors who have made outstanding contributions to the prosperity of the country’s cultural undertakings.In other words, an actor standing at the top of the show business.

The first one is Jackie Chan, the "light of Chinese"-Jackie Chan.Since Jackie Chan starred in the first film "Big and Small Huang Tianba" in 1962, he has shot more than 200 films and TV works in his acting career, including two Golden Horse Awards for Best Actor, five Golden Horse Awards for Best Action Design, and seven annual box office winners of Hong Kong films … His comedy kung fu films are unique in Chinese film circles, and the name "Jackie Chan" is deeply imprinted on every Chinese. Internationally, Jackie Chan also has considerable influence and enjoys a good reputation internationally: he is the second Chinese movie star to take China Kung Fu abroad after Bruce Lee, and has set off a "Kung Fu craze" all over the world, and was named the first among the "20 greatest action movie stars in history" by The New York Times. In 2017, Jackie Chan was awarded the Lifetime Achievement Award at the 89th Academy Awards ceremony, becoming the fourth Asian to win the award.

Second place: "Forever Xu Wenqiang" and "Fage"-Chow Yun Fat.Speaking of Chow Yun Fat, what do you think of is the heroic Xu Wenqiang who dominates Shanghai? Or the inspirational and persevering "Mark" Chow Yun Fat in "The True Color of Heroes" is famous for making gangster hero films. His heroic image of deep affection and sadness, which is also good and evil and harmonious, is deeply rooted in people’s hearts and has become memories of youth of several generations. Chow Yun Fat has won the Best Actor Award in three Golden Awards, is the first film winner in Lian Zhuang, and won the Best Actor Award in two Golden Horse Awards, so he is also listed as "One Hundred Excellent Actors in China Film in a Hundred Years". Not long ago, Hong Kong Baptist University praised his professional achievements and made important contributions to Chinese film, and awarded Chow Yun Fat the title of "Honorary Doctor of Humanities".

Third place: "Master Xing"-Stephen Chow.Stephen Chow is the "king of comedy" of Chinese film circle and the pioneer of China comedy films, and is called "Chaplin of China". His movie The Gambling Saint, with a box office of HK$ 41.32 million, became the top box office ranking of Hong Kong movies in 1990s, breaking the record set by Chow Yun Fat’s The True Color of Heroes. He won the Golden Award for Best Director and Best Actor, and the Golden Horse Award for Best Director and Best Actor, which is a typical example of "acting well and guiding". Film works such as A Chinese Odyssey, No.7 Yangtze River and Kung Fu, which are directed and performed by ourselves, are still regarded as classics today. In 2016, The Mermaid, directed by Stephen Chow, became the first movie in China with a box office of over 3 billion yuan, setting a new box office record for Chinese movies.

"If there is an extra ticket, will you come with me?" When you hear this classic line, will you be moved by the touching love between Zhou Mu Yun and Su Lizhen?The next two national first-class actors are Tony Leung Chiu Wai and Maggie Cheung, who play the hero and heroine in the film.

Tony Leung Chiu Wai is a well-deserved king of literary films in the Hong Kong film industry. He is the "royal actor" of Wong Kar-wai, and he has cooperated with many films such as Chongqing Forest, Spring at First, In the Mood for Love, A Generation of Masters, etc. Tony Leung Chiu Wai has a wide range of plays. Apart from being a leading actor in literary films, he has also played Chen Yongren, the prodigal hero in Infernal Affairs, and Ouyang Feng, the hero in East into West. Tony Leung Chiu Wai has won the Best Actor Award in five Golden Awards and the Best Actor Award in three Golden Horse Awards. He is also the first actor in China to win the Best Actor Award in Cannes Film Festival.

As the only actress in this list, Maggie Cheung is even more glamorous. In the film history of China, it is difficult to find the second actress who can keep pace with Maggie Cheung. She has won the Best Actress in five Golden Awards, the Best Actress in four Golden Horse Awards, and the Best Actress in two international A-class film festivals in Berlin and Cannes. She is the first Asian to win the Best Actress in Cannes and the only Chinese actress to win the award at present.

With China’s economy stepping up to a new level, the new trend of automobile consumption is becoming more and more obvious, especially in the passenger car market. The requirements for cars are no longer just family cars, but also family life and leisure travel. Recently, Guangzhou Automobile Chuanqi Chuanqi GS8 is selling well. Come and look at the national real transaction price, preferential discount, sales volume, preservation rate and other information of new cars to help you understand the recent market situation of Guangzhou Automobile Chuanqi GS8 more comprehensively.

This site collected the real transaction price of Guangzhou Automobile Chuanqi Chuanqi GS8 in the past year. The lowest transaction price of Chuanqi GS8 in the country in the past month was 166,800, the highest cash discount for new cars was 19,200 yuan, and the maximum discount for new cars reached 8.97 fold! The price is for reference only, and the actual transaction price is subject to the local dealer.

Choose a car to buy a car? The difficulty of choosing a good car is almost catching up with the college entrance examination to fill in the volunteers! But in fact, it is not difficult to choose a car. It really depends on the sales volume. What everyone likes can’t be worse. Guangzhou Automobile Chuanqi Chuanqi GS8 sold 2,592 vehicles in the past month, and the consumer recognition of new cars in the market can be seen from the sales trend chart below.

After the repeated adjustment of import tariffs, major manufacturers have released the price adjustment range of their models, which has also stabilized the market of used car market. However, the rate of preservation of cities at all levels has decreased from the previous month, so the rate of preservation must not be ignored when buying a car. After entering June this year, although the trading volume of used cars has gradually picked up, the price of used cars is hard to rise. For consumers, it is also a good opportunity to buy used cars! The following figure shows the hedge ratio of GAC Chuanqi GS8. Is it within your acceptable range?

Next, let’s take a look at consumers’ comments on GAC Chuanqi GS8. If the comprehensive score is 5 points, then the score of GAC Chuanqi GS8 is 4.65 points, and the result is not bad.
Among them, Guangzhou Automobile Chuanqi Chuanqi GS8 has the most outstanding performance in appearance and space, so consumers pay more attention to appearance and space.
Then GAC Chuanqi Chuanqi GS8 can be considered.
Because each user has different needs for the car, different uses and different feelings, the evaluation is only for reference. The most reliable thing is to go to the store to test drive in person. Even if you can’t test drive on the road, you should sit in the car and feel it.

If you have read the above, you still have doubts about whether Guangzhou Automobile Chuanqi Chuanqi GS8 is worth buying, then you can also look at the performance of the competing products of Guangzhou Automobile Chuanqi GS8. Among the following competing products, the largest sales volume last month was Tanyue, with 11,484 vehicles. There is always one car for you.

If the price of Chuanqi GS8 is right in the near future, then the friends will hurry! Linkage promotion in many places across the country, and there are even more discount models as low as 30%.

Full text summary:

　　In recent two years, BYD has adopted a multi-brand and multi-model "car sea" strategy, which reminds people of Nokia’s "machine sea" tactics. The application of this strategy usually shows that the brand has established a certain influence in the market and can meet the diversified consumer needs in the same price range. And "Chehai" tactics can also effectively enhance the brand image. However, in the past six months, the sales of Qin PLUS and destroyer 05, both compact cars, were 220,000 and 55,000, respectively, and the sales of Han and Seal were 98,000 and 53,000, respectively. This also shows that there are too many models in the same price range, which may confuse consumers’ cognition of vehicle positioning and cause mutual "volume" within brands. What do you think of this? Please comment below and interact with me! (Photo/Text Photo by car home Li Mingchen/car home Beijing Auto Show Reporting Group)